There are a bunch of free gigs in London. Each week I go to three and review them.
The rating system’s simple: how many beers did I buy (drink)? The more, the better.
8. L.A. Peach and Lacuna Common @ Blondies, London
Wednesday, 5 June 2019
Henry learns that exceptionally good punk comes from Oxford and L.A. Peach is totally besotted.
This was my first visit to Lower Clapton’s Blondies.
It’s dark, the space is tight and it’s drenched in neon. The stage is situated right next to the entrance, so beware, once the curtain’s drawn and the band have started, you’re stuck – unless you want to join the performance and navigate whoever’s playing.
It’s the only hole in Hackney where the stuff on tap is almost exclusive Vice’s beer– bit of a shame because it’s not very good. There’s also a terrace hidden at the back, so there’s at least one reason to go for an actual drink – just remember, the terrace closes at 21:00 (it’s actually quite cool).
Last night, Blondies were hosting Oxford indie / punk trio Lacuna Common and London-based five-piece L.A. Peach (I think they’re a five-piece, but maybe it’s just a singer with a guitar and some friends).
The crowd was made up of animated mannequins from Beyond Retro. I was wearing a white button-up shirt, carrying a laptop and felt like a total prick.
First up, Lacuna Common seriously impressed. They’re really fucking good.
The band play that ‘blood-in-your-teeth’ kind of punk (defiantly British), the type that somehow makes stories about the banality of life seem interesting (like an imagined pint of vodka). Punchy and almost immediately captivating, their songs were simple, catchy, held the right amount of suspense, while consistently delivering a certain despondency.
The frontman spat out tales of having no money, people not caring enough about him, skinny jeans and twats from Oxford, while the bassist occasionally chimed in with his own wheys and woes. Instrumentally, it’s basic and the lyrics aren’t anything new, but it really worked. Like, really worked.
(I REALLY LIKED LACUNA COMMON)
Their dad was at the back selling t-shirts and white vinyl pressings of their latest single, Not the Same. Going on the performance, I wouldn’t be surprised if someone actually bought one.
L.A. Beach didn’t have Lacuna Common’s energy, but I think that’s the point.
The band’s vibe is dreamy and they deliver subdued, low-tempo numbers that build into strangely gritty and unnerving sonnets. All quite melodic.
Between songs they were kind enough to add liner notes through a lot of one-sided dialogue with the crowd (how post-modern).
Transcribed below, I hope they’ll help you understand a little bit more about the band:
“L.A. Peach is the best thing you’ve seen all night,” – they’re not too cocky.
“What do you call a chicken with a piece of lettuce in its eye? Sees-a-salad” (Caesar salad, get it?) – they’re masters of comedy.
“When I was in year three, I had to run the relay race at sports day. Stick [baton] in hand, I tripped and fell into this girl’s crotch.” – they’ve all had a really traumatic upbringing.
“Have you seen my girlfriend? Doesn’t she look like Trent Reznor?” – they’ve got a lot of respect for women.
All of this context helped me fully appreciate their songs. Particularly why they tricked you into a false sense of security by sounding sweet and ethereal (the type of thing you put on when your mother’s round) then suddenly got really psychotic.
It was kind of like this: bright guitar and a slow groove overlaid with tales of loving someone so much you want to flay their skin and wear it when meeting their parents.
One thing that was clear throughout was that L.A. Peach’s singer / guitarist (maybe L.A. Peach himself) was completely besotted with his new lover (the keyboardist). (Check out this feature in Clash if you don’t believe me).
I hope it works out.
Henry Says 