“Truth is not punishment,” so let’s be honest, who was actually disappointed about the cancellation of Boardmasters?
If you haven’t guessed it, no one who was at Moth Club last night.
That’s because Bodega, New York art-punk five-piece (or whatever else you want to call them) graced Hackney with a surprise, and importantly FREE, appearance at Moth Club, thanks to high winds off the Cornish coast.
I’d go into a rant about how much I hate Cornwall here, but I can’t be bothered, so insert your own joke about pasties and inbreeding.
Ahead of the release of their latest record, the show was an expected, but delightfully executed affair – dominated by songs from their debut LP, Endless Scroll. There were a couple of new ones, including Shiny New Thing, and (I think this is the working title), ‘An actress who decides every move based on how people will regard it in the future’. It reminded me a lot of when I paid to see them at the Shacklewell Arms in February. Great performance, but like, not the best songs in the world.
Moth Club was hot, everyone was drenched in sweat, but Bodega’s performance was energetic, and they actually seemed happy to be playing.
The band have spent a lot of time on the road, and they let the audience know it by dedicating Gyrate to everyone’s favourite band, Viagra Boys.
Other highlights included a cover of Silver Jews, Black and Brown Shoes, in memory of the recently deceased David Berman. Jack in Titanic, as always, was an epic tragedy. It’s a great song, but maybe they’ve played it too often, and like Titanic, maybe there are only so many times you can watch Leonardo Dicaprio sink.
Bodega ended the set with an extended jam that eventually morphed into Truth is not Punishment, with a lot of tired arms and a standing drummer with a nose bleed (or did my memory get warped because I follow Bodega so compulsively on instagram?).
Walking away from the stage, despite being way too sticky, it actually felt like arriving at a venue for 19:00 had been justified. And, thanks to closing at 21:30, everyone was left with a night full of opportunity, and sense of achievement.
Shame no one stayed for the Horror’s Rhys Webb’s DJ set, but I mean, it’s been five years Rhys, maybe everyone still going to Cave Club is a total loser.
None of the lessons seem to apply to writing on the internet.
The book also emphasised that Copywriting, apparently, is about writing improperly; aka, in a way that the plebs understand, which I understood as an instruction to ignore everything it said.
If you, the reader, don’t think I made the right decision, get ready to be surprised.
You’d think I was an idiot if I started doing anything of these things (adhering to proper grammar):
Omit the s after apostrophes that follow conscience. The correct vernacular being, “for conscience’ sake”
You can’t use a colon to sunder a sentence in two like a garden worm, instead that a full sentence must proceed it, for instance “A shrink needs: a degree, psychotic patients and a lot of patience.” is incorrect. It should instead be, “A shrink needs three things: a degree, psychotic patients and parents to blame.“
2. No one should ever use exclamation marks, ever! (except sometimes)
The book agreed with me and said no one should ever use exclamation marks.
Between the lines it also said we should murder anyone who does, unless they’re being dramatic!
I’ve adapted this lesson for 2019 and now confirm that you can also use them when you’re being ironic too.
But that’s it.
You can only ever use an exclamation mark if you’re being dramatic or ironic!
Have you guessed what I’m being?
3. Corporate language is designed to make business sound like it’s about slaying dragons rather than counting paper clips
Here’s what the book said about business chat:
Portentous nouns and verbs [like deprioritise, action those reports, relations with the secretary] invest ordinary events with high adventure; executives walk among toner cartridges, caparisoned like knights.”
p.82, The Elements of Style
The book goes to length about how these words are about expressing the user’s dreams, rather than the explicit meaning of what they’re doing.
So, I learned that when writing for business people, you need to make the banality of their lives seem more like jumping the shark; full of exciting cliches that they think are new, definitely not overused, and completely non-applicable to their lives.
4. Words that I now know you should never use
There are a load of words you should never use. Here’s a few of them and why:
Meaningful is a bankrupt adjective. In place of meaningful you should shoot yourself.
Chaired is not a verb (or even a word). You should instead write, “the iguana acted as chair of the meeting.”
Personalise,“A pretentious word, often carrying bad advice.” Which means it’s still applicable for your mobile data plan.
Pistons thrust, restructuring programmes do not. (You’re not allowed to use the word thrust in business, even when you’re, you know, talking about sex)
Ok, so the book didn’t come up with this one, I figured it out by reading it instead.
We all know what SEO is, right?
It means optimising your written, online content so that search engine algorithms will list it higher on their results pages.
It’s pretty simple. Here’s how to do it:
Consider what you’re writing about and how you can make it relevant to what people search for on the internet.
While thinking, write down a list of keywords (both long and short) that are related to your content and people are likely to type into google (sexy, porn, why my mother won’t stop crying every time I call her).
Delete your previous article or other written content and write some monstrosity indiscriminately littered with your new keywords.
In doing this, I’m confident that everyone is probably just inserting phrases that do not belong in the articles they’re writing. Which, I learned from The Elements of Style, is how you write badly.
Great one Google. You made writing shit for everyone.
6. Copywriters are soulless
Deep down, I knew this one already.
I can’t express why Copywriters are the scum of the earth without it sounding really pretentious though, so I just copied the quote below:
“Your whole duty as a writer is to please and satisfy yourself. The true writer always plays to an audience of one. Start sniffing the air, or glancing at the Trend Machine, and you are as good as dead, although you may make a nice living.” (p. 84)
p. 84, The Elements of Style
Evidently, proper writers hate copywriters.
So, now I’d finally read something about writing, I’d learned that what I was trying to do by becoming the greatest copywriter EVER, was completely selling myself out.
I also noticed that nice living was pretty much guaranteed.
Well, at least it was a better choice than working in a corporate environment.
If you think I’ve completely misinterpreted the lessons of the book, please let me know.
Then I can tell you exactly why you’re wrong (now I know that I don’t need to write adequately to communicate).
Henry learns that exceptionally good punk comes from Oxford and L.A. Peach is totally besotted.
This was my first visit to Lower Clapton’s Blondies.
It’s dark, the space is tight and it’s drenched in neon. The stage is situated right next to the entrance, so beware, once the curtain’s drawn and the band have started, you’re stuck – unless you want to join the performance and navigate whoever’s playing.
It’s the only hole in Hackney where the stuff on tap is almost exclusive Vice’s beer– bit of a shame because it’s not very good. There’s also a terrace hidden at the back, so there’s at least one reason to go for an actual drink – just remember, the terrace closes at 21:00 (it’s actually quite cool).
Last night, Blondies were hosting Oxford indie / punk trio Lacuna Common and London-based five-piece L.A. Peach (I think they’re a five-piece, but maybe it’s just a singer with a guitar and some friends).
The crowd was made up of animated mannequins from Beyond Retro. I was wearing a white button-up shirt, carrying a laptop and felt like a total prick.
First up, Lacuna Commonseriously impressed. They’re really fucking good.
The band play that ‘blood-in-your-teeth’ kind of punk (defiantly British), the type that somehow makes stories about the banality of life seem interesting (like an imagined pint of vodka). Punchy and almost immediately captivating, their songs were simple, catchy, held the right amount of suspense, while consistently delivering a certain despondency.
The frontman spat out tales of having no money, people not caring enough about him, skinny jeans and twats from Oxford, while the bassist occasionally chimed in with his own wheys and woes. Instrumentally, it’s basic and the lyrics aren’t anything new, but it really worked. Like, really worked.
(I REALLY LIKED LACUNA COMMON)
Their dad was at the back selling t-shirts and white vinyl pressings of their latest single, Not the Same. Going on the performance, I wouldn’t be surprised if someone actually bought one.
L.A. Beach didn’t have Lacuna Common’s energy, but I think that’s the point.
The band’s vibe is dreamy and they deliver subdued, low-tempo numbers that build into strangely gritty and unnerving sonnets. All quite melodic.
Between songs they were kind enough to add liner notes through a lot of one-sided dialogue with the crowd (how post-modern).
Transcribed below, I hope they’ll help you understand a little bit more about the band:
“L.A. Peach is the best thing you’ve seen all night,” – they’re not too cocky.
“What do you call a chicken with a piece of lettuce in its eye? Sees-a-salad” (Caesar salad, get it?) – they’re masters of comedy.
“When I was in year three, I had to run the relay race at sports day. Stick [baton] in hand, I tripped and fell into this girl’s crotch.” – they’ve all had a really traumatic upbringing.
“Have you seen my girlfriend? Doesn’t she look like Trent Reznor?” – they’ve got a lot of respect for women.
All of this context helped me fully appreciate their songs. Particularly why they tricked you into a false sense of security by sounding sweet and ethereal (the type of thing you put on when your mother’s round) then suddenly got really psychotic.
It was kind of like this: bright guitar and a slow groove overlaid with tales of loving someone so much you want to flay their skin and wear it when meeting their parents.
One thing that was clear throughout was that L.A. Peach’s singer / guitarist (maybe L.A. Peach himself) was completely besotted with his new lover (the keyboardist). (Check out this feature inClashif you don’t believe me).
I dragged my girlfriend along expecting a hilarious excursion; the only thing hilarious was how wrong I’d been.
I can honestly say that I think this is the first time I’ve ever had the pleasure of eating authentic British vegan cuisine. You know, not a tofu salad, nut roast or beetroot burger, but something that felt (and tasted) British.
And who pulled off this great feat? A little independent fish & chip shop in Homerton, which is pretty damn remarkable.
How I ended up going to the Kingfisher’s vegan menu launch
How did I get there? It began at a barbecue last night.
I sat in someone’s garden with a bunch of people I didn’t know. To make friends I started showboating.
To do it, I strung them along with a captivating story about the plight of a local fish & chip shop, and its misguided attempt to get with the times by launching a vegan menu. Then (and this is how you make friends) I got everyone involved.
Passing around a picture of a poster I’d spotted in window of the Kingfisher earlier, I asked everyone what they thought:
For those who can’t see past the permanent marker, it’s an invitation to the launch of the Kingfisher’s vegan menu on Sunday, 2 June 2019: a bring-your-own-booze spectacular and the first ever VEGAN ONLY day in the establishment’s 47 years of business.
Then I said, “for a fish and chip shop that still doesn’t accept cards, that’s one hell of a statement. Why don’t we go?”
Everyone was hooked (or at least pretended they were). So, much to their amusement, I calledand booked a table for four.
Surprise-surprise. When I got up the next day everyone had forgotten about the plan.
So that table for four became a table for two (my girlfriend’s long suffering).
And hell was I surprised.
Much to my disbelief, the Kingfisher’s vegan menu launch featured decent vegan food. For the first time, I was sharing my culture with my girlfriend (who’s not from round here) and I wasn’t embarrassed about it.
Leaving, I couldn’t help but root for them. Businesses like this should be succeeding.
Authentic British vegan food? How can you make a claim so bold? (THE REVIEW)
The Kingfisher doesn’t boast. It’s a modest, traditional fish & chip shop situated along Homerton High Street. It’s pretty accessible at five minutes walk from Homerton overground and fifteen from Hackney Central.
But that doesn’t matter: it’s the real deal: no need for sequin dresses, an imported Club Mexicana menu or DJ sets that no one listens to.
Inside, it’s what you’d expect – the deep fat fryer bubbles, there’s the occasional spray of salt and vinegar and the placemats are kinda sticky.
What makes the Kingfisher different is the menu.
This Sunday, it was totally vegan:
When I first saw it, I didn’t really read it properly and instead just laughed. I was fully expecting deep-fried Linda McCartney sausages and slices of lukewarm tofu.
I was really wrong.
For their vegan menu, the Kingfisher had gone the whole tempeh (get it? Tempeh’s a pork substitute). It was wide-ranging and from what I tasted, very well executed.
Talking to the owner, it was clear that it was founded on a lot of research, experimentation and definitely was not half-arsed (yeah, I’m looking at you the Diner).
We saw them prepare the Classic (standard vegan beef burger), the Chickadee (their own attempt to rival Hackney’s vegan burger emporium, Temple of Seitan), their namesake ‘the Kingfisher’ (a mock fish-fillet burger) as well as their own vegan take on chip-shop classics including the doner kebab (every fish & chip shop in London is a glorified Super Kebab – it’s what the people want) and pie & chips. There were also a bunch of vegan desserts and smoothies.
Also, like me you probably associate traditional British cafes with Nescafe Gold. But look, the coffee actually wasn’t granulated:
As a party of two we had:
the ‘Kingfisher’ (vegan breaded fish-fillet burger)
A Vegan Pie (vegan take on a steak and onion pie)
And a Super Green smoothie
Look, it’s almost like someone might have posted that picture on Instagram:
It was surprisingly good.
I’ll start with the Kingfisher. For context, I’ve been to the vegan Sutton & Sons in Hackney central (the fancy-ish fish & chip restaurant chain) and I’ve had the fried banana-blossom mock-cod. I can confidently write that the Kingfisher’s breaded vegan fish-fillet tasted more like fish, had texture more like fish and was actually pretty nice to eat, like fish. I’d recommend it over almost any other battered vegan fish I can recall (and I’ve made vegan fish fingers with tofu and seaweed – so I’m pretty much the authority).
The chips were chip-shop chips (better than Chinese takeaway chips, kebab-shop chips and the pub-enamel-mug chips – irrespective of what this survey says). There was also complimentary vegan mayonnaise and a whole range of other free condiments that Mildreds would definitely charge you for.
The vegan pie, normally only offered takeaway, tasted like a meat pie and it came with vegan gravy (a real boon). It was good (in the sense that pie and chips are good). The offering at Camden’s Young Vegans(a dedicated vegan pie shop) isn’t any better.
And the smoothie? The Super Green was made out of avocado, banana and added pea protein (and some seeds. Apparently people who drink smoothies like seeds). It was thick (the right sort of thick), very green and pretty fresh. After a conversation with the owner, I learned that she’d worked a lot on getting the consistency right and even consulted her son, a sports nutritionist, on how to boost its nutritional value.
The food was well executed, well researched and the owners put in a lot of effort to deliver it. Even though it was 100% vegan, it really didn’t seem out of place or phoned in. It wasn’t up itself (pretentious) and most importantly, it tasted good and is actually something I’d eat again.
The whole menu’s also reasonably priced – it cost about as much as a standard meal at a London chippy (just over £20 for two – not including the smoothie).
Why weren’t more people at the launch?
When I arrived, there weren’t that many people there.
When I left, there weren’t many people there either.
It’s not my business, but it got me down.
The food was good, the invitation was charming, it was all well priced and you could bring your own booze. It also had something that you don’t find at chains – charm. I don’t want to be sentimentalist here, but it really felt like you were part of a community.
And if the food satisfied, going there this weekend was certainly a better story than a nutroast at an anonymous east London pub.
For the Kingfisher to deliver a wholly vegan menu was incredibly bold. Maybe it’s a sign of how tastes are changing – adapt or die – but honestly, how often do you see relics of the British High Street trying to innovate and reinvent themselves for 2019? And actually accomplishing it?
The owners were incredibly sweet too. You could tell they’d put one hell of a lot of work into delivering this and cared a lot about their business.
I really don’t want to rant, but if people like you and me don’t go out and support risk takers like this, then we’ll end up with exactly what we deserve – a London with way too many Pret a Mangers. Who honestly wants that?
I cannot implore you enough, vegan or not, to try the new menu at the Kingfisher.
I guarantee that you’ll be just as surprise as I was.
Compact space, small crowd, embarrassed band, no crescendos. Other’s would call it ‘intimate’ – but I’m a realist.
This Thursday, I saw Mellow Gang at Lower Clapton’s premier coffee-come-cocktail-come-record-shop, Lion Coffee + Records (it’s almost in the title, isn’t it?). It was a taster gig, organised to showcase Mellow Gang’s upcoming album, Adjourn. Hobby Club supported.
Unfortunately, I didn’t arrive in time to see Hobby Club, but my girlfriend did. She gave me a download: the guitarist pulled faces at the crowd and the singer looked really Hackney (after she’d taken off her jacket). Great then.
So on to Mellow Gang, who I definitely didn’t miss.
For those who haven’t listened, Mellow Gang play dreamy music that would go great in your lounge. Kinda like Cocteau Twins with Lana Del Rey vocals: a lotta’ chime bells (keyboard), electronic drums that could attract an orca (sonar sounds) and female vocals that pour out like molasses. Also, their song Carousel sounds like Supertramp.
During the show, I stood at the front of the audience – a decision I immediately regretted. Yeah, I kept getting in the way of the hired cameraman (he probably hadn’t been to Hackney before – he was wearing a stab-proof) and I didn’t have anywhere to look except directly into the bassist’s eyes. My gaze made the bassist really uncomfortable (shame, I was trying to express that live, he was the highlight).
Technically, Mellow Gang were good (except for some lacklustre guitar – but no big deal). By that, I mean they played songs from Adjourn successfully live.
However, live, they didn’t recreate the draw of their studio material – really dense crescendos.
But that might have been the space.
NB:The space is cool, sounded like the mixing could have been better though.
And as I made sure that the memory was spread evenly across the carpet of my mind, I remembered that everyone had sung in a field of roses, roses without thorns and it was absolute bliss.
Why you should always think a little harder than you actually do
As the memory hit its climax, I remembered Patti Smith calling out to the audience:
“Rise up, oh rise up my young flowers, if we all sing together we’ll break the machine and be free to love each other forever. It’s the sixties all over again. Yeah, we changed the world and it’s great now because of us.“
Wait, the world isn’t great now, is it?
I then learned that everyone else had won tickets on Dice too.
Then my girlfriend said she didn’t want to come on Sunday.
Then I realised that I wasn’t going to be able to rub anyone’s face in the fact that I’d finally won something.
And then I started to remember that no, last year’s All Points East hadn’t been that good, had it?
I looked on the internet to confirm my suspicions. Reading this review on Resident Adviser just confirmed that people who write for RA take too much ecstasy (it really damages your brain).
Yep, it was confirmed. Last year had definitely been awful.
But I tried to not get myself down. I mean, it was going to be sunny. Maybe I could still drink too much and have a fun time?
Turns out I was wrong. Just like I had been wrong last year.
Having definitely experienced this before and now having absolutely no desire to experience it again, I decided to write down exactly why All Points East was an awful experience (AGAIN) and why I never want to go back, EVER AGAIN.
Henry’s list of things that you should definitely read before accepting tickets to go to All Points East
1. The people often suck
Why do a lot of the people at day festivals suck?
Because they’re the types who think the best place to see Foo Fighters is from the seated bit at the back of Greenwich O2.
It’s not. The best way to see Foo Fighters is sticking your head down a u-bend screaming Monkey Wrench.
I don’t need to labour this further. No, someone provided me with the perfect example while I was queuing on Saturday.
Ahead, there were swathes of white people and despite the overpowering scent of sun block, the back of everyone’s necks and ears were piglet pink.
And get ready, because behind there stood the most disingenuous couple I have ever had the pleasure of eavesdropping on, EVER.
The mysterious couple’s All Points East queue conversation
The girl, “Oh, you know that babe that I’m totally obsessed with on Instagram? Yeah? Well she’s in Majorca and it looks so LUSH. She just looks so LUSH. She’s SO beefed right now. It’s really inspiring me. You know what? I’m gonna go beefer.”
The guy, “Ah, babe this is why I love you so much. It would be my absolute pleasure to go beefer with you.”
The girl then responded, “I LOVE YOU SO MUCH [BEEF] BABE.”
Lucky for them, everyone’s cattle prods were confiscated at the entrance.
2. The bands don’t have a very good incentive to play well
If someone wrote you a check for £50,000 and then said all you had to do was jump around the stage at the petting zoo, would you put on your best performance?
This year, it’s already been reported that the Strokes sounded like underwater karaoke. Look, it’s in the Independent.
For some reason though, the Independent didn’t get in touch with me for a quote.
It’s a shame because I actually spent most of the Strokes’ performance standing to the right of the main stage – exactly where it sounded bad. I’m afraid that I need to testify that while the Strokes were hard to hear (and there was one hell of a lot of booing), it did not sound like underwater karaoke.
But I can tell you that it’s a shame it wasn’t underwater karaoke. If it had been, all the people who were singing, “nah-na-nahh-na-nah-nahhhh-nahhhhh,” to that guitar bit that everyone knows in 12:41 would have probably swallowed a little too much water.
All Points East’s website describes the companies that sell all of these great things as partners not sponsors.
You know that’s the corporate way of saying ‘I’m with the band’.
And I hate to labour the point, but the adverts are so hard to ignore.
Here were my favourites:
The Logic Vape tent (how is it ok to advertise vapes but it’s not ok to advertise cigarettes? All those vape adverts just remind everyone that they used to smoke real cigarettes. I mean, if I was working in Marlboro’s advertising department right now I’d just invent a vape that looks like a pack of Marlboro Reds and plaster that everywhere)
The Huawei spying platform (yes, Huawei had a platform directly opposite the main stage, where else would it be?), and
Can you imagine a tent full of people who only have two things in common: an Amex card and a desire to only hang out with other people who have Amex cards?
I bet the Amex tent’s great.
Who doesn’t love spending time at concerts comparing their Experian credit rating (by the way, it’s 300 (that means good 😉 ). How about you send me some money in the post?).
4. No one seems to be angry that it’s blatant commercialism
Let me tell you a story:
Once upon a time, at All Points East there was a Tinder Van.
Everyone walked past the Tinder Van and said, “Oh, sweet, it’s really useful that there’s a Tinder Van at All Points East. You know, somewhere you’re able to change partners when you fall out of love for forty minutes and both no longer want to see the same band. It’s just great that you’ll still have someone else’s back pocket to keep your hand warm in.”
Then, when Interpol started playing Henry’s girlfriend went up to the Tinder Van and said, “Oh please Tinder Van, can I exchange this Henry for someone who doesn’t want to see Interpol?”
And then the Tinder Van lady said “Oh no Henry’s girlfriend, I’m afraid not, this van is just for beer, but if you pull your top down a bit I’ll set you up with a new profile.”
And in the end poor little Henry got abandoned at the carousel that looked like it was dancing to the end of the world.
Have you worked out what’s strange about that story yet? You guessed it, no one’s angry that I was abandoned.
Want to hear something else people weren’t angry about?
There was this All Points East app that was meant to tell you when and where your favourite acts were playing. But it’s like they made sure it was completely web-based on purpose.
Of course it wasn’t going to work.
When have you ever had mobile data at a festival?!
The organisers clearly knew it wasn’t going to work. That’s why they hired a bunch of people to stand around with physical guides on really cool lanyards that cost £5 each.
My point here is that no one seemed to care that they were being ripped off. Or angry about anything. It was just kind of like everyone there wanted vanilla icecream and everyone got vanilla icecream.
5. The hypocrisy
I really wanted to see Parquet Courts on Saturday and I did. It was great. I think Parquet Courts are ace.
But, despite a solid performance of Tenderness, no one seemed to take the lyrics to heart.
And like that magnificent band from New York City, this weekend, I too was left without a fix of a little tenderness.
Excerpt from Parquet Courts’ Tenderness
Nothing reminds the mind of power
Like the cheap odor of plastic
Leaking fumes we crave, consume, the rush it feels fantastic
But like power turns to mold, like a junkie going cold
I need the fix of a little tenderness
But I’d be lying if I said there weren’t any good bits.
Audience participation required. Shame there wasn’t a crowd.
Three rock bands – one distinctly more glam than the others.
Crimson Cobra kicked it off with a solid set. Sounded like Royal Blood. Guitar occasionally soared into an aerial assault and a well-timed drummer come singer.
Second Røyaltee announced that this wasn’t a normal show, told everyone how hard his life’s been then cajoled the crowd into overhead clapping. Already cringe inducing the frontman topped it with a directed sing-a-long: ‘when I sing ‘scream, shout’ you shout ‘scream motherfucker.’’ Hit the pinnacle of cool with their miserable Pop the Drugs – Mr Brownstone without the class.
Unashamedly glam, the DandyLions gave the best performance of the night. Decked in pink and yellow lycra with at least one wrestling mask, they clearly did not give a shit. Unfortunate that only about ten people were still there. Launching haribo from the stage they ran through a set of songs as camp as Queen, potentially inspired by sex (or lack of it), including Hairspray, Drink me Like Water and Legendary Fire. Veered a little more PC with faux-feminist power-pop number Women in Charge.
Pleasantly unexpected end to an otherwise unmemorable and occasionally bad show.